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And the name, the single rarefied figure, becoming exclamation itself. However, while there are few exclamation marks in the standard King James Version of the Bible, we might intuit that the New Testament has a lot to do with exclamative speech, with the words of Jesus announced as an urgent energy with persona built in. Modern like coca cola or spitfires ancient like a crucifix or quaver note, this gimmicky icon, ‘!’ (supposedly coming from a logotype for the Latin word for joy io) is distinctly European in its lineage in post-15th century text, coming closer in age and nature to the expressions of advertising and dollar signs than of holy scriptures. Its subject matter and title compound the sonics, feelings and ontics in exclaiming: Guitar! To latch on to the excited thoughts each book, phenomenologically and (ahem) professionally, inspired in me, I will focus on their use of the exclamation mark and how this signifying scoring relates to a sense of character in the context of literary culture, its economies and affects. The second book studied here by the artist Sarah Tripp, is a novel of sorts, also an experimental memoir. I doubt I’m the only one to detect the thrill in Cusk’s move from this character to Second Place’s narrator, M, who does what Faye would never and litters her written speech with unabashed yearning and tasteless punctuation. Outline begins with Faye, a writer on a trip to Athens to teach a Creative Writing workshop. Rachel Cusk’s Second Place, one of two recent books that exercise prolific use of the exclamation mark, is significantly her first novel after the Outline When novels and their characters speak in a way that is exclamatory, we register the yearning in the voice, and the choice in the writing. As character and psychology emerge from punctuation marks so does the workings of literature as a social exaction of who speaks.

The voice created through any work of writing is an exercise in attitude and form. On punctuation, where any sentence or phrase that ends in, ‘!’, is potentially ‘bad’ writing: ‘a desperate written gesture that yearns in vain to transcend language.’ The graphic that resembles an ‘index finger raised in warning’ is pointing not at the reader, but more at the writer themselves, for being so cheap! The written voice of the exclaimer is still professionally and culturally judged by Adorno’s aphorisms However something is written, and the someone we hear is formulated by the tiniest tricks and measures, compulsive or controlled. But writing, especially in the grammatically meagre English which is lacking in subjectifiying cases and moods is more fun when its improper nature can have such style. Not that I’m so good at that myself but one of the few neat bits of advice you can give when teaching creative writing is about how sentiment should ‘work’ without exclamation marks that using them is a failure in expression that it reduces the impact of the blah blah blah.

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I should first admit to recently commenting on a student’s writing that was full of ‘unnecessary’ exclamation marks: ‘Get rid of all of these except one.’ I was… right, and I was also doing my discipline-specific job of passing on ideas of quality in written expression, otherwise known as craft, or, usage of punctuation as it relates to style and voice.

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